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With a radio you, for one, can reach a broad public, but most important is that you can present an audio piece without having to create a scenic performance.
The performer and the listener are in direct contact, but the performer has often no concrete knowledge about the existence of the receiver. This also establishes a unique situation where the transmissions seems to be always present but also always abstract in the sence that it, as all live acts, exist only in a point in time, as it is continously travelling soundless with the speed of sound.
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veronica